“…work of the utmost intellectual rigor and refinement.” David Vaughn, Dance Magazine
NANCY KARP has been making work in San Francisco for three decades. She has created more than 75 dance works for her San Francisco-based company Nancy Karp + Dancers founded in 1980. Karp and the company have toured throughout the U.S. and abroad, including extended artist residencies in Germany, the former Yugoslavia, India, and Japan. She has been awarded commissions by the Für Augen und Ohren and the Sprachen der Künste Festivals in Berlin, the Cabrillo Music Festival, and the American Institute of Architects in San Francisco, among others. As an artist-in-residence at the Kyoto College of Art in Japan in 1990, she choreographed Terrace Canon, a site-specific work for 32 performers as part of the Kyoto International Contemporary Music Forum. Site-specific performance work has been an important part of Nancy Karp + Dancers’ programming. Performances have included site pieces commissioned for the San Francisco Museum of Modern Art, the Oakland Museum, and a commission for the Choreographers’ Festival at Yerba Buena Gardens for the work, La Processione with music performed by the Green Street Mortuary Band.Nancy has received numerous grants and awards for her work, including the Bay Area Dance Award for Lifetime Achievement in 2005, a Fulbright Senior Research Fellowship (1995-96) to India, where she worked for five months with dancers and actors from the Kerala Kalamandalam, choreography fellowships and dance company grants from the National Endowment for the Arts, California Arts Council, San Francisco Arts Commission, and the Rockefeller Foundation/MAP Fund. An active member of the San Francisco Bay Area arts community she served as a trustee of the Djerassi Resident Artists Program, chairing its Arts Committee from 1993-2000 and was a mentor in CHIME Program, Choreographers in Mentorship Exchange, in 2004-05.
In 1993, Karp’s evening-length work, Kristallnacht, Night of Broken Glass, created in collaboration with composer Alvin Curran and designers Jack Carpenter and Sandra Woodall, was premiered before sold-out houses at San Francisco’s Theater Artaud. Kristallnacht was Karp's first work with a historical context, and received widespread critical acclaim. Subsequently, in 1995, Ms. Karp was invited to return with the Company to Theater Artaud for a second two-week sold-out run of the work. Other major works which have toured internationally include Prima Materia (1987), with music by Ingram Marshall and visual decor by Carol Law, First Light (1985) with a sound score by Bill Fontana and visual decor by Berlin-based artist Wolfram Erber, and Dot Bunch (1984) with music by Charles Amirkhanian and visual decor by Carol Law.
In 1986 she published Six Dances/Nancy Karp, a limited boxed edition of dance scores, and in 2003 published a second edition of scores, photographs, essays and drawings entitled Nancy Karp + Dancers: Dances 1977-2003. Karp and the dance company also released Four Dances: The Music, a selection of music compositions commissioned by the New Arts Foundation/Nancy Karp + Dancers for choreography by Nancy Karp. Memory/Place, in a limited edition of 50, was released in April 2019, and is a collection of selected drawings from Karp's notebooks from this work.
Chris Black has been making dance in the Bay Area for over 25 years. She has won an Isadora Duncan Dance Award and two Bay Area Theatre Critics Circle awards for her choreography and been in residence at ODC Theater, the Djerassi Resident Artists Program, and the California Academy of Sciences. She has also performed in the work of Ken James/Fellow Travelers Performance Group, Kim Epifano, Christy Funsch, and Lizz Roman. She is currently documenting a studio practice inspired by Dada artist Baroness Elsa von Freytag-Loringhoven through the Instagram account baronessmutt. Her next choreographic project, between two waves of the sea, will premiere in 2020.
Nick Brentley is a now softened iteration of his tough East Coast roots. Between performer, administrator and technician his arts career ranges between concert dance, dinner theater, award ceremonies, parades, music videos and short films on both US coasts. Piano Piano is his first work with Nancy Karp + Dancers. Locally, he has been a member of AXIS Dance Company, Embodiment Project and was Producing and Facilities Manager at CounterPULSE. Offstage he is a clothing stylist and designer at Al’s Attire, a bespoke clothier in North Beach, and a closet musician.
Originally from New Orleans, LA, Sonsherée Giles is a dancer, choreographer, teacher, and costume designer. She enjoys making dances based on observations of animals, landscapes, art history, and daily life experiences. Sonsherée has an MFA in performance/choreography from Mills College and is currently rehearsal director and artistic advisor with AXIS Dance Company. She has taught contemporary dance in public school systems, institutions, dance festivals and universities. Sonsherée has received an Isadora Duncan Award for ensemble performance, and a Homer Avila Award for Excellence in the field of integrated dance. She is delighted to be dancing with Nancy Karp + Dancers and can also be seen with Flyaway Productions and Lizz Roman & Dancers. www.sonsheree.com
Katie Kruger has been performing and teaching dance since returning to the Bay Area in 1998. In recent years she has worked with notable choreographers and companies including Paufve Dance, Ahdanco, Rogelio Lopez, and Nancy Karp. She has taught in multiple private and public schools and dance centers to students of all ages. She is currently the Director of the Shawl-Anderson Dance Center Youth Program as well as on faculty at Head-Royce School in Oakland for K-12 students.
Amy Lewis completed a BA in theater from UCLA and an MFA in dance from Mills College. She has performed the works of Sonya Delwaide, Molissa Fenley, Sonsherée Giles, Margaret Jenkins, and Alex Ketley, among others. Lewis’ choreographic work has been supported by various festivals, choreographic programs, commissions, and residencies. www.pushproductions.org
Nol Simonse is from Washington, D.C., and trained at the Boston Conservatory of Music. He moved to San Francisco in 1997, and helped form the punk rock dance company, Kunst-Stoff. He has worked extensively in the Bay Area, with Stephen Pelton, Eric Kupers, Kara Davis, Christy Funsch, Janice Garrett, Charles Moulton, Sean Dorsey, Carey Perloff, and Val Caniparoli. Nol teaches modern at the Lines Dance Center and Shawl-Anderson Dance Center. He has been awarded an Izzy, a GOLDIE, Luna Dance Institute’s Choreofund prize, and was a CHIME artist in 2017 with mentor Margaret Jenkins.
Jack Carpenter designs lighting and scenery for Dance, Music, Theater, Museum Exhibits and Opera. His work can be seen with the Bishop Museum, Oakland Museum, Exploratorium, SF Ballet, SF Symphony, Kronos Quartet, Detroit Symphony, Berkeley Repertory Theatre, Joe Goode Performance Group, Margaret Jenkins Dance Company, ODC/SF, Project Bandaloop, Eureka Theatre. Notable productions for Mr.Carpenter include design and direction for Inspired By America for Cypress String Quartet, Kristallnacht, for Nancy Karp + Dancers, the world premiere of Angels In America, for the Eureka Theater Company, Harboring, and Bound(less), for Project Bandaloop, Beauty Queen of Leenane for Berkeley Repertory Theater, Traveling Light, and Rambler, for Joe Goode Performance Group, Concerto Romantique for San Francisco Ballet, and MLADA for SF Symphony. Mr. Carpenter was recently appointed lighting design lecturer at UC Berkeley Department of Theater, Dance,and Performance Studies, has received four Bay Area Critics Circle Awards, and five Isadora Duncan Awards.
Jay Cloidt is a composer and sound designer based in the San Francisco Bay Area. Jay has composed for many notable ensembles, including the Paul Dresher Ensemble, the Margaret Jenkins Dance Company, ODC/San Francisco, Joe Goode Performance Group, and Kronos Quartet. His works have been performed extensively by these groups and others in the U.S., Europe, and Asia. A CD of string quartets performed by the Cypress String Quartet, Spectral Evidence, is available on MinMax Records. Sequenza/21 described the recording as “... subtle, moody, sensitive, and immensely listenable ... engaging, attractive, and extremely crafty.” A CD of songs from the theater work D’Arc: Woman on Fire, with vocalist Amanda Moody, is also available on MinMax. jaycloidt.com