Crosstalk, 2007, embraces a bold movement vocabulary and daring partnering for four exceptional dancers from the dance company, with a commissioned music score by composer Jay Cloidt.

Trio Set, 2006, This pure movement work was developed during a three month intensive rehearsal period with dancers Christy Funsch, Diane McKallip and Anne-Lise Reusswig.  The pace is fast moving and highly rhythmic; interweaving the stylistic strengths of each of the dancers.

La Traversa, 2003, Influenced by the vibrant culture and rich traditions of Sicily, La Traversa sets the stage for a merging of the old and new.

Il Mercato, 2001, In Il Mercato, Nancy Karp ventures beyond her minimalist movement vocabulary to create elaborate choreographic structures that evoke the chaos and energy of the marketplace.

Arashi/Storm, 1992 revised in 2005 (Nancy Karp/Terry Riley/Sandra Woodall)

Early Interdisciplinary Collaborative Works
These works went beyond the exploration of pure movement, rhythm, and pattern – adding the elements of color, light, found ambient sound, and sculptural objects in defining space.

Prima Materia, 1987 (Nancy Karp/Ingram Marshall/Carol Law/Sandra Woodall)
First Light, 1985 (Nancy Karp/Bill Fontana/Wolfram Erber/Sandra Woodall)
Dot Bunch, 1984 (Nancy Karp/Charles Amirkhanian/Carol Law)