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In 1993, Karp’s evening-length work, Kristallnacht, Night of Broken Glass, created in collaboration with composer Alvin Curran and designers Jack Carpenter and Sandra Woodall, was premiered before sold-out houses at San Francisco’s Theater Artaud. Kristallnacht was Karp's first work with a historical context, and received widespread critical acclaim. Subsequently, in 1995, Ms. Karp was invited to return with the Company to Theater Artaud for a second two-week sold-out run of the work. Other major works which have toured internationally include Prima Materia (1987), with music by Ingram Marshall and visual decor by Carol Law, First Light (1985) with a sound score by Bill Fontana and visual decor by Berlin-based artist Wolfram Erber, and Dot Bunch (1984) with music by Charles Amirkhanian and visual decor by Carol Law. In 1986 she published Six Dances/Nancy Karp, a limited boxed edition of dance scores, and in 2003 published a second edition of scores, photographs, essays and drawings entitled Nancy Karp + Dancers: Dances 1977-2003. Earlier this year, Karp and the dance company released Four Dances: The Music, music cd – a selection of music compositions commissioned by the New Arts Foundation/Nancy Karp + Dancers for choreography by Nancy Karp.
DAMARA GANLEY (dancer) began dancing in her living room with her mom and dad in Mendocinco County. After graduating from UC Santa Cruz with degrees in Anthropology, Women's Studies and Theater Arts, Damara had the honor of dancing with The Mel Wong Dance Company. She has performed with Bibliodance, dance ceres, Mark Franko, Carol Kueffer, Nina Haft, and RAW dance. She is currently performing with Emspace Dance, Kate Mitchell, Jo Kreiter/Fly Away Productions, Lisa Townsend and Shift Physical Theatre. This is her second opportunity to enjoy performing with Nancy Karp + Dancers. DIANE MCKALLIP (dancer) received her early dance training in Philadelphia and New York. In 1977, she moved to the San Francisco Bay Area where she co-founded the Choreographer's Performance Alliance. Over the past two decades, Diane has danced in the works of many San Francisco choreographers and currently performs with Nancy Karp + Dancers, Randee Paufve, and Nina Haft. She is also a fitness consultant and Pilates instructor, specializing in work with older adults. This year marks Diane’s 24th season with the company. SHANNON PRETO (dancer) holds an MFA in Dance from the University of Colorado, Boulder. Shannon has most recently been seen in the Smith/Wymor’s’ Disappearing Acts performance at Counterpulse (May 2004). Having just found a quaint cottage with his wife, Shannon plans on staying in the area. He is truly thankful for this opportunity to perform in his first season with Nancy Karp + Dancers and hopes for many returns. WENDY REIN (dancer) began her choreographic career at age five with an ambitious piece to "Muppet Fever". She has been performing ever since, having the privilege of dancing in works by Alvin Ailey, Colin Connor, Donna Jewell, and Donald McKayle, among others. Dancing/choreographing with RCJ Dance in college, she obtained her BA from Brown University, and worked with Misnomer Dance Theater in NYC before finally settling in SF. Wendy is very happy to have had the chance to work with local choreographers Alma Esperanza Cunningham, Emma Huckabay, and Mary Carbonara, and in 2004, she co-founded RAWdance with longtime collaborator Ryan T. Smith. She works in the larger dance community for Bay Area Celebrates National Dance Week. This is Wendy’s first season with Nancy Karp + Dancers. ANNE-LISE REUSSWIG (dancer) started dancing in high school and went on to graduate from UC Santa Cruz with a degree in Theater Arts. She then moved to New York, where she was a scholarship student at the Cunningham Studio and performed with many different choreographers. Along with performing with in the San Francisco Bay Area with Nancy Karp + Dancers, Anne has appeared in works by Element Dance Theater, Company Mechanique performing the works of Sara Shelton Mann and Kathleen Hermesdorf, Heidi Schweiker, Lisa Townsend, Dandelion Dance Theater, and Shift >>>Physical Theater. She would like to thank Mel Wong, Robert Swinston, Cathy Kerr, and Sylvia Martins for their influence. |
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